| Prix
|
Artiste
|
Titre
|
| Enregistrement de l'année
|
Paul Simon
|
Graceland
|
| Album de l'année
|
U2
|
The Joshua Tree[2]
|
| Chanson de l'année
|
|
Somewhere Out There
|
| Meilleur nouvel artiste
|
Jody Watley
|
| Best Pop Vocal Performance, Female
|
Whitney Houston
|
I Wanna Dance with Somebody (Who Loves Me)
|
| Best Pop Vocal Performance, Male
|
Sting
|
Bring on the Night
|
| Best Pop Performance By A Duo Or Group With Vocal
|
Jennifer Warnes et Bill Medley
|
(I've Had) The Time Of My Life
|
| Best Pop Instrumental Performance (Orchestra, Group Or Soloist)
|
Larry Carlton
|
Minute by Minute
|
| Best New Age Performance
|
Yusef Lateef
|
Yusef Lateef's Little Symphony
|
| Best Rock Vocal Performance, Female, Male
|
Bruce Springsteen
|
Tunnel of Love
|
| Best Rock Performance By A Duo Or Group With Vocal
|
U2
|
The Joshua Tree
|
| Best Rock Instrumental Performance (Orchestra, Group Or Soloist)
|
Frank Zappa
|
Jazz from Hell
|
| Best R&B Vocal Performance, Female
|
Aretha Franklin
|
Aretha
|
| Best R&B Vocal Performance, Male
|
Smokey Robinson
|
Just to See Her
|
| Best R&B Performance By A Duo Or Group With Vocal
|
Aretha Franklin et George Michael
|
I Knew You Were Waiting (For Me)
|
| Best R&B Instrumental Performance (Orchestra, Group Or Soloist)
|
David Sanborn
|
Chicago Song
|
| Best Rhythm & Blues Song
|
|
Lean on Me
|
| Best Jazz Fusion Performance, Vocal Or Instrumental
|
Pat Metheny Group
|
Still Life (Talking)
|
| Best Jazz Vocal Performance, Female
|
Diane Schuur
|
Diane Schuur & The Count Basie Orchestra
|
| Best Jazz Vocal Performance, Male
|
Bobby McFerrin
|
What Is This Thing Called Love
|
| Best Jazz Instrumental Performance, Soloist
|
Dexter Gordon
|
The Other Side Of Round Midnight
|
| Best Instrumental Jazz Performance (Group)
|
Wynton Marsalis
|
Marsalis Standard Time - Volume I
|
| Best Jazz Instrumental Performance, Big Band
|
Mercer Ellington
|
Digital Duke
|
| Best Country Vocal Performance, Female
|
K.T. Oslin
|
80's Ladies
|
| Best Country Vocal Performance, Male
|
Randy Travis
|
Always & Forever
|
| Best Country Performance By A Duo Or Group With Vocal
|
|
Trio
|
| Best Country Vocal Performance, Duet
|
Ronnie Milsap et Kenny Rogers
|
Make No Mistake, She's Mine
|
| Best Country Instrumental Performance (Orchestra, Group Of Soloist)
|
Asleep at the Wheel
|
String of Pars
|
| Best Country Song
|
|
Forever And Ever, Amen
|
| Best Gospel Performance, Female
|
Deniece Williams
|
I Believe In You
|
| Best Gospel Performance, Male
|
Larnelle Harris
|
The Father Hath Provided
|
| Best Gospel Performance By A Duo Or Group, Choir Or Chorus
|
Mylon LeFevre & Broken Heart
|
Crack the Sky
|
| Best Soul Gospel Performance, Female
|
CeCe Winans
|
For Always
|
| Best Soul Gospel Performance, Male
|
Al Green
|
Everything's Gonna Be Alright
|
| Best Soul Gospel Performance By A Duo Or Group, Choir Or Chorus
|
Anita Baker & The Winans
|
Ain't No Need To Worry
|
| Best Latin Pop Performance
|
Julio Iglesias
|
Un Hombre Solo
|
| Best Tropical Latin Performance
|
Eddie Palmieri
|
La Verdad - The Truth
|
| Best Mexican-American Performance
|
Los Tigres del Norte
|
Gracias! America Sin Fronteras
|
| Best Traditional Blues Recording
|
Professor Longhair
|
Houseparty New Orleans Style
|
| Best Contemporary Blues Recording
|
The Robert Cray Band
|
Strong Persuader
|
| Best Traditional Folk Recording
|
Ladysmith Black Mambazo
|
Shaka Zulu
|
| Best Contemporary Folk Recording
|
Steve Goodman
|
Unfinished Business
|
| Best Polka Recording
|
Jimmy Sturr
|
A Polka Just For Me
|
| Best Reggae Recording
|
Peter Tosh
|
No Nuclear War
|
| Best Recording For Children
|
Bobby McFerrin et Jack Nicholson
|
The Elephant's Child
|
| Best Comedy Recording
|
Robin Williams
|
A Night At The Met
|
| Best Spoken Word Or Non-Musical Recording
|
Garrison Keillor
|
Lake Wobegon Days
|
| Best Musical Cast Show Album
|
|
Les Miserables
|
| Best Instrumental Composition
|
|
Call Sheet Blues
|
| Best Album Or Original Instrumental Background Score Written For A Motion Picture Or Television
|
Ennio Morricone
|
The Untouchables
|
| Best Song Written Specifically For A Motion Picture Or Television
|
|
Somewhere Out There (From An American Tail)
|
| Best Performance Music Video
|
|
The Prince's Trust All-Star Rock Concert
|
| Best Concept Music Video
|
Genesis
|
Land of Confusion
|
| Best Arrangement On An Instrumental
|
|
Take The \"A\" Train
|
| Best Instrumental Arrangement Accompanying Vocal(s)
|
|
Deedles' Blues
|
| Best Album Package
|
|
King's Record Shop
|
| Best Album Notes
|
|
Thelonious Monk - The Complete Riverside Recordings
|
| Best Historical Album
|
Thelonious Monk
|
Thelonious Monk - The Complete Riverside Recordings
|
| Best Engineered Recording - Non-Classical
|
|
Bad
|
| Producer Of The Year, (Non-Classical)
|
|
Narada Michael Walden
|
| Best Classical Album
|
|
Horowitz in Moscow
|
| Best Orchestral Recording
|
|
Beethoven: Symphony No. 9 In D Minor
|
| Best Opera Recording
|
|
R. Strauss: Ariadne Auf Naxos
|
| Best Choral Performance (Other Than Opera)
|
|
Hindemith: When Lilacs Last In The Dooryard Bloom'd
|
| Best Classical Performance - Instrumental Soloist(s) (With Orchestra)
|
|
Mozart: Violin Concertos Nos. 2 And 4
|
| Best Classical Performance - Instrumental Soloist(s) (Without Orchestra)
|
Vladimir Horowitz
|
Horowitz in Moscow
|
| Best Chamber Music Performance
|
Vladimir Ashkenazy, Lynn Harrell et Itzhak Perlman
|
Beethoven: The Complete Piano Trios
|
| Best Classical Vocal Soloist Performance
|
|
Kathleen Battle - Salzburg Recital
|
| Best Contemporary Composition
|
Krzysztof Penderecki
|
Penderecki: Cello Concerto No. 2
|
| Best Engineered Recording, Classical
|
|
Faure: Requiem/Durufle: Requiem
|
| Classical Producer Of The Year
|
Robert Woods
|