| Prix
|
Artiste
|
Titre
|
| Best Pop Vocal Performance, Female
|
Whitney Houston
|
Saving All My Love For You
|
| Best Pop Vocal Performance, Male
|
Phil Collins
|
No Jacket Required
|
| Best Pop Performance By A Duo Or Group With Vocal
|
USA for Africa
|
We Are The World
|
| Best Pop Instrumental Performance (Orchestra, Group Or Soloist)
|
Jan Hammer
|
Miami Vice Theme
|
| Best Rock Vocal Performance - Female
|
Tina Turner
|
One of the Living
|
| Best Rock Vocal Performance, Male
|
Don Henley
|
The Boys of Summer
|
| Best Rock Performance By A Duo Or Group With Vocal
|
Dire Straits
|
Money for Nothing
|
| Best Rock Instrumental Performance
|
Jeff Beck
|
Escape
|
| Best R&B Vocal Performance, Female
|
Aretha Franklin
|
Freeway of Love
|
| Best R&B Vocal Performance, Male
|
Stevie Wonder
|
In Square Circle
|
| Best R&B Performance By A Duo Or Group With Vocal
|
Commodores
|
Nightshift
|
| Best R&B Instrumental Performance (Orchestra, Group Or Soloist)
|
Ernie Watts
|
Musician
|
| Best Rhythm & Blues Song
|
|
Freeway of Love
|
| Best Jazz Fusion Performance, Vocal Or Instrumental
|
David Sanborn
|
Straight to the Heart
|
| Best Jazz Vocal Performance - Female
|
Cleo Laine
|
Cleo At Carnegie - The 10th Anniversary Concert
|
| Best Jazz Vocal Performance - Male
|
Bobby McFerrin et Jon Hendricks
|
Another Night In Tunisia
|
| Best Jazz Vocal Performance, Duo Or Group
|
The Manhattan Transfer
|
Vocalese
|
| Best Jazz Instrumental Performance, Soloist
|
Wynton Marsalis
|
Black Codes from the Underground
|
| Best Jazz Instrumental Performance, Group
|
Wynton Marsalis Group
|
Black Codes from the Underground
|
| Best Jazz Instrumental Performance, Big Band
|
John Barry et Bob Wilber
|
The Cotton Club - Original Motion Picture Soundtrack
|
| Best Country Vocal Performance - Female
|
Rosanne Cash
|
I Don't Know Why You Don't Want Me
|
| Best Country Vocal Performance, Male
|
Ronnie Milsap
|
Lost In The Fifties Tonight (In The Still Of The Night)
|
| Best Country Performance By A Duo Or Group With Vocal
|
The Judds
|
Why Not Me
|
| Best Country Instrumental Performance (Orchestra, Group Or Soloist)
|
Chet Atkins et Mark Knopfler
|
Cosmic Square Dance
|
| Best Country Song
|
|
Highwayman
|
| Best Gospel Performance, Female
|
Amy Grant
|
Unguarded
|
| Best Gospel Performance - Male
|
Larnelle Harris
|
How Excellent Is Thy Name
|
| Best Gospel Performance By A Duo Or Group, Choir Or Chorus
|
Sandi Patti et Larnelle Harris
|
I've Just Seen Jesus
|
| Best Soul Gospel Performance, Female
|
Shirley Caesar
|
Martin
|
| Best Soul Gospel Performance - Male
|
Marvin Winans
|
Bring Back The Days Of Yea And Nay
|
| Best Soul Gospel Performance By A Duo, Group, Choir or Chorus - Singles, Albums or Tracks
|
The Winans
|
Tomorrow
|
| Best Inspirational Performance
|
Jennifer Holliday
|
Come Sunday
|
| Best Latin Pop Performance
|
Lani Hall
|
Es Facil Amar
|
| Best Tropical Latin Performance
|
Eddie Palmieri
|
Solito
|
| Tito Puente & His Latin Ensemble
|
Mambo Diablo
|
| Best Mexican-American Performance
|
Vikki Carr
|
Simplemente Mujer
|
| Best Traditional Blues Recording
|
B.B. King
|
My Guitar Sings The Blues
|
| Best Ethnic Or Traditional Folk Recording
|
Rockin' Sidney
|
My Toot Toot
|
| Best Polka Recording
|
Frank Yankovic
|
70 Years Of Hits
|
| Best Reggae Recording
|
Jimmy Cliff
|
Cliff Hanger
|
| Best Recording For Children
|
|
Follow That Bird - Original Motion Picture Soundtrack
|
| Best Comedy Recording
|
Whoopi Goldberg
|
Whoopi Goldberg - Original Broadway Show Recording
|
| Best Spoken Word Or Non-Musical Recording
|
|
Ma Rainey's Black Bottom
|
| Best Music Video, Short Form
|
USA for Africa
|
We Are The World - The Video Event
|
| Best Instrumental Composition
|
Jan Hammer
|
Miami Vice Theme
|
| Best Album Of Original Score Written For A Motion Picture Or A Television Special
|
|
Beverly Hills Cop
|
| Best Cast Show Album
|
|
West Side Story
|
| Best Arrangement On An Instrumental
|
Dave Grusin & Lee Ritenour
|
Early A.M. Attitude
|
| Best Instrumental Arrangement Accompanying Vocal(s)
|
|
Lush Life
|
| Best Vocal Arrangement For Two Or More Voices
|
|
Another Night In Tunisia
|
| Best Album Package
|
|
Lush Life
|
| Best Album Notes
|
|
|
| Best Historical Album
|
John Pfeiffer
|
RCA/Met - 100 Singers - 100 Years
|
| Best Engineered Recording - Non-Classical
|
|
Brothers In Arms
|
| Producer Of The Year (Non-Classical)
|
|
Phil Collins & Hugh Padgham
|
| Best Classical Album
|
|
Berlioz: Requiem
|
| Best Classical Orchestral Recording
|
|
Faure: Pelleas Et Melisande
|
| Best Opera Recording
|
|
Schoenberg: Moses Und Aron
|
| Best Choral Performance (Other Than Opera)
|
|
Berlioz: Requiem
|
| Best Classical Performance - Instrumental Soloist Or Soloists (With Orchestra)
|
|
Elgar: Cello Concerto, Op. 85/Walton: Concerto For Cello & Orch.
|
| Best Classical Performance - Instrumental Soloist Or Soloists (Without Orchestra)
|
Vladimir Ashkenazy
|
Ravel: Gaspard De La Nuit; Pavane Pour Une Infante Defunte; Valses Nobles Et Sentimentales
|
| Best Chamber Music Performance
|
Emanuel Ax & Yo-Yo Ma
|
Brahms: Cello And Piano Sonatas In E Minor And F
|
| Best Classical Vocal Soloist Performance
|
|
Berlioz: Requiem
|
| Best New Classical Artist
|
|
|
| Best Contemporary Composition
|
Andrew Lloyd Webber
|
Lloyd Webber: Requiem
|
| Best Engineered Recording, Classical
|
|
Berlioz: Requiem
|
| Classical Producer Of The Year
|
Robert Woods
|